Writing

2024

Basterretxea: La amistad con Oteiza, polos opuestos complementarios | El Correo | article | 05.2024

Del embalse al zulo, el territorio que explora Ibon Aranberri | El Correo | article | 04.2024

Xavier Robles de Medina | Mousse | TidBit | 04.2024

DFINITY’s Internet Computer Protocol | Medium | ICP Hub Germany – DArk | 03.2024

Realidad y Ficción se cruzan en Berlín | El Correo | review | 03.2024

Artificial Intimacy: AI, Love and Sex | Elephant | article | 02.24

Paul Kolling: Nadir | Kunstverein München | frieze | review | 02.2024

Rebecca Ackroyd: Period Drama | Kestner Gesellschaft Hannover | Spike Magazine | review | 02.2024

EU AI Act 2023 | Ape Unit Blog | 01.2024

2023

Philipp Simon: Diesel Only | Schiefe Zähne | PW-Magazine | review | 12.2023

Leda Bourgogne | Prefrontal Vortex | BQ | press text | 12.2023

AI & Education | Ape Unit Blog | 12.2023

The Assault of the Present on the Rest of Time: Artistic Testimonies of War and Repression | Schinkel Pavillon and Die Brücke Museum, Berlin | Art Monthly | 11.2023

The State of the Art of AI Regulations | co-athored with Moritz Stellmacher | Ape Unit Blog | 11.2023

Web3 Digital Cooperatives in the Music Ecosystem | co-athored with Moritz Stellmacher | Ape Unit Blog | 10.2023

Terre Thaemlitz: Reconcile with the Closet | Halle für Kunst Lüneburg | Nero Editions | review | 07.2023

Eva Fábregas: Inteligencia, intuición y afecto | Centro Botín & Hamburger Bahnhof, Berlin | El Correo | review | 07.2023

Klára Hosnedlová Creates a Temporal Shift | Kestner Gesellschaft, Hannover | frieze | review | 05.2023

Progress, sex and Cars: another History of the Autobahn | Elephant | article | 05.2023

Arianne Müller | Schiefe Zähne, Berlin | Artforum | critics’ pick | 04.2023

Looking for the Parasite: Conversation with Richard Sides | Passe-Avant | interview | 02.2023

No Joke | Ruth Wolf Rehfeldt & Sophie Reinhold | Kunstverein Reutlingen | catalogue essay | 02.2023

Fair Tools for Music in the Blockchain Ecosystem | co-athored with Moritz Stellmacher | Ape Unit Blog | 01.2023

Angharad Williams | Kunstverein für die Rheinlande und Westfalen, Düsseldorf | Passe-avant | review | 01.2023

Leda Bourgogne | Fragile, Berlin | PW-Magazine | review | 01.2023

2022

Young-jun Tak | Efremidis, Berlin | Artforum | critics’ pick | 12.2022

Lucio Fontana | Galería Helga de Alvear, Madrid | Artforum | critics’ pick | 11.2022

Laura Langer | curated by Melanie Ohnemus | Kunsthaus Glarus | frieze | review | 10.2022

Antonia Breme | Reflection Series | New Toni Press, Berlin | press text | 09.2022

Closer | curated by Kathrin Bentele | Kunstverein für die Rheinlande und Westfalen, Düsseldorf | frieze | review | 05.2022


2021

Sara Sadik | Kaleidoscope | interview | 11.2021

Metal | co-editor with Jorge Miñano | published by Material Review | 11.2021

Who Cracks the Whip?: Angharad Williams | Mousse | 07.2021

2020

Austin Lee | Kaleidoscope | article | 11.2020

Camilla Steinum Plays with Chance | frieze | review | 11.2020

Blending as Resistance: Peppi Bottrop | Mousse | review | 07.2020

Shuang Li, Body, Soul, Desires and Affections | Heichi | article | 05.2020

Danica Barboza | Kaleidoscope | article | 04.2020

A Promise of Love and Madness: Leila Hekmat | Mousse | review | 03.2020

Giacomo Santiago Rogado – Insight | catalogue essay | 01.2020

2019

Agathe Bauer, issue 0: Picking Up Promises | TLTRPreß Berlin | essay, editor | 01.12.2019

Informed Matter | Material Review | essay | 01.10.2019

9 Stand-Outs From Berlin Art Week 2019 | Artspace | article | 12.09.2019

Diamond Stingily | Mousse | review | 11.2019

Beatriz Olabarrieta | Mousse | Monograph article | 10.2019

Constructing Desire #4: “I am so fucky” | exhibition text | 15.01.2019

2018

Love Sick: Soshiro matsubara | Mousse | 11.2018

New Clear Family | Beatriz Olabarrieta at Frankfurt am Main | exhibition Text | 25.03.2018

2017

Giacomo Santiago Rogado at Mark Müller | exhibition text | 26.08.2017

Critic’s Guide Berlin | frieze | 26.06.2017

Anu Poder | frieze | review | 31.05.2017

The grey zone: a conversation with Bruno Zhu on the prison of language, queering space + alternative value systems | aqnb | interview | 04.05.2017

This Human-Sized Marionette in Chains Is Just Uncomfortable: Jordan Wolfson | VICE | review | 03.03.2017

2016

Critic’s guide Amsterdam | frieze | review | 20.12.2016

An overview of Frieze 2016 on the fringe | aqnb | review | 31.10.2016

A look back at ABC Berlin | aqnb | interview | 10.10.2016

London’s ‘Dream Babes‘ Reveal the Spirit of Drag | VICE | review | 25.09.2016

‘Dark’ Screenings and Performances Question What It Means to Be Human: Dark Water | VICE | review | 13.09.2016

An interview with Rianna Jade Parker | aqnb | interview | 27.09.2016

An interview with Berry Patten | aqnb | interview | 22.09.2016

An interview with Femke Herregraven | aqnb | interview | 20.07.2016

Prehuman | Curating the Contemporary | article | 18.07.2016

Looking back at Liste 2016 | aqnb | review | 06.07.2016

Berlin Biennale 2016 reviewed | aqnb | review | 10.06.2016

Reflecting on Emily Sundblad’s Dichterliebe/Divine Bitches Part Two | aqnb | review | 03.05.2016

Nervous Systems @ HKW reviewed | aqnb | review | 21.04.2016

Dissent as an iPhone App @ Arebyte reviewed | aqnb | review | 08.04.2016

Iain Ball at cell Projects | Curating the Contemporary | review | 04.04.2016

Neoliberal Lulz at Carrol Fletcher | Curating the Contemporary | review | 24.03.2016

Nothing to Worry About | Curating the Contemporary | article | 10.03.2016

Looking back at Transmediale 2016 | aqnb | review | 24.02.2016

Condo 2016 reviewed | aqnb | review | 03.02.2016

National Gallery 2: Empire @ Chewday’s reviewed | aqnb | review | 20.01.2016

2015

From Dust @ LD50 reviewed | aqnb | review | 02.12.2015

Puppies Puppies at Vilma Gold | Curating the Contemporary | review | 23.11.2015