2024
Gisèle Vienne’s Political Puppetry | frieze | review | 12.2024
A Conversation with Sarah Friend | Ape Unit Blog | interview | 12.2024
Aleksandra Domanović at the Kunsthalle Wien | Mousse | review | 12.2024
Publikation zur Sammlung Der Westfälische Kunstverein in 113 Werken, 2024 | Westfälische Kunstverein | contribution | 12.2024
La Memoria de ‘Los Niños de Rusia’: Olivia Hernaïz | El Correo | review | 11.2024
Concentric Collectivity: Sophie Reinhold at Halle für Kunst Lüneburg | Berlin Art Link | review | 11.2024
Sitting Ducks: An Interview with Nuri Koerfer | Berlin Art Link | interview | 10.2024
A Conversation with terra0 | Ape Unit Blog | interview | 09.2024
Generative Art Summit Review | Ape Unit Blog | review | 07.2024
How to design the best Assessments in the Era of AI? | Ape Unit Blog | article | 06.2024
Basterretxea: La amistad con Oteiza, polos opuestos complementarios | El Correo | article | 05.2024
Del embalse al zulo, el territorio que explora Ibon Aranberri | El Correo | article | 04.2024
Xavier Robles de Medina | Mousse | TidBit | 04.2024
DFINITY’s Internet Computer Protocol | Medium | ICP Hub Germany – DArk | 03.2024
Realidad y Ficción se cruzan en Berlín | El Correo | review | 03.2024
Artificial Intimacy: AI, Love and Sex | Elephant | article | 02.24
Paul Kolling: Nadir | Kunstverein München | frieze | review | 02.2024
Rebecca Ackroyd: Period Drama | Kestner Gesellschaft Hannover | Spike Magazine | review | 02.2024
EU AI Act 2023 | Ape Unit Blog | 01.2024
2023